Steve Allsworth https://validator.w3.org/feed/docs/rss2.html Ex #17 Triads (PDF) Ex #17 Triads (GP8) Ex #16 Triads (GP8) Triads: Thinking Outside of Scales (Part 1) Ex #16 Triads (PDF) Example Line #15: Rhythmic Displacement Ex #15 Rhythmic Disp (PDF) Ex #15 Rhythmic Disp (GP8) Rhythmic Displacement: More Bang for Your Buck Ex #14 Rhythmic Disp (PDF) Ex #14 Rhythmic Disp (GP8) Coltrane Sequence Ex #13 Coltrane Sequence (PDF) Ex #13 Coltrane Sequence (GP8) Classic Sax Sequence Ex #12 Classic Sax Sequence (PDF) Ex #12 Classic Sax Sequence (GP8) Less Predictable Sounds: Moving In 4ths Ex #11 Moving in 4ths (PDF) Ex #11 Moving in 4ths (GP8) Example Line #10: Breaking Up the Sequence D Nola Funk 80 BPM Ex #10 Breaking Up the Sequence (PDF) Ex #10 Breaking Up the Sequence (GP8) Example Line #9: 7ths & 2nds Ex #9 7ths & 2nds (PDF) Ex #9 7th & 2nds (GP8) Example Line #8: Wonky String Skipping Ex #8 Wonky String Skipping (PDF) Ex #8 Wonky String Skipping (GP8) Example Line #7: Major 6ths Ex #7 Major 6ths (PDF) Ex #7 Major 6ths (GP8) Example Line #6: 5ths & 6ths Ex #6 5ths & 6ths (PDF) Ex #6 5ths & 6ths (GP8) Example Line #5: Minor 6ths Ex #5 Minor 6ths (PDF) Ex #5 Minor 6ths (GP8) Example Line #4: 5ths Ex #4 5ths (PDF) Ex #4 5ths (GP8) Example Line #3: 3rds & 4ths Ex #3 3rds & 4ths (PDF) Home Ex #3 3rds & 4ths (GP8) Example Line #2: Minor 3rds Ex #2 Minor 3rds (GP8) Ex #2 Minor 3rds (PDF) News