Steve Allsworth https://validator.w3.org/feed/docs/rss2.html Home Module 1 Recap: Next Steps Post Performance Notes Performance: Rock Fusion Étude Pre-Performance Notes Connecting It Up Orientation The Equator Extending the Scale: “The Snake” Mastering the Diminished Intervals: 7ths Example Line #9: 7ths & 2nds Sequences: Moving Cells In Minor 3rds Example Line #10: Breaking Up the Sequence Classic Sax Sequence Less Predictable Sounds: Moving In 4ths Coltrane Sequence Rhythmic Displacement: More Bang for Your Buck Example Line #15: Rhythmic Displacement Triads: Thinking Outside of Scales (Part 1) Performance Notes: Two String Triads Triad Pairs: Concept & Breakdown Brecker’s Concept: Disguising the Triad Example Line #19: Triad Pairs Mixing Major & Minor: More Triad Ideas Triad Pairs: Major & Minor Module 2 Recap Minor 3rds: Legato Building Vocab: Morphing Ideas Example Line #2: Minor 3rds Up Down Pattern: Minor 3rds Intervals: 3rds & 4ths Example Line #3: 3rds & 4ths Example Line #4: 5ths Intervals: 5ths & 6ths Example Line #5: Minor 6ths Pre-Performance Notes: 5ths & 6ths Example Line #6: 5ths & 6ths Intervals: Major 6ths Example Line #7: Major 6ths Orientation: Major 6ths String Skipping: Major 6ths Example Line #8: Wonky String Skipping The Diminished: Harmony Review W/H or H/W? What’s The Difference? Dominant Connections: Going Deeper Diminished Harmony: Building Chords Chordal Connections: Viewing Chords from Different Angles Diminished Colours: Going Deeper News